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In 1978, the Arthur Roger Gallery opened at 3005 Magazine Street in New Orleans' Garden District. The Contemporary Arts Center, located in downtown New Orleans, opened a year before the gallery, and this would occur as the city's art scene underwent significant expansion. A pivotal venue in New Orleans, the gallery was Arthur Roger’s inaugural gallery and collected many of the most important New Orleans artists, including Robert Gordy (Ida Kohlmeyer). Three years later, Arthur Roger helped create the New Orleans Gallery Association, which is now known as the Arts District. Next, he started an annual coordinated opening—the city's most popular event in October—for the Saturday following Art for Art's Sake, which would change the New Orleans art world. Subsequently, the gallery was chosen by prominent interior designers to help them assemble several large corporate collections. Those designers would include Angelo Donghia for the InterContinental New Orleans Hotel and Skidmore Owings & Merrill for the Pan-American Life Insurance Co.
 
Key takeaways from these reviews include positive feedback on the museum's artistic value, such as its exceptional and awe-inspiring displays and expert curation. Patrons express high emotions, saying they are amazed, joyful, and even brought to tears by the art. There is also praise for the museum's ambiance and layout, which is lit by natural light and appears to be well designed. Repeating visitors say they are excited to add some of the exhibited art to their collection. This historical museum offers a warm and museum-like environment, notable Chihuly glass art exhibits, and knowledgeable guides. In total, most reviews offer exceptional art museum experiences. The reviews are mostly effusive and positive about the museum building's beauty and light, gallery layout, and artistic content. The curation is praised in numerous reviews, some of the displayed works, and the art museum's emotional impact. Genres range from contemporary art to glass art to folk art. The museum has a significant sense of place, as reflected by the large, light-filled gallery. And if the visitor comes away with a deep connection to some of its art, that can only be the result of a positive experience.