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The sculptures are unique designs that represent an event or an idea. The pieces are made through my personal style and a myriad of materials and contrast. Each sculpture’s material, shape, and composition are carefully chosen to create an organic form that resonates with the sculpture’s inspiration. It is necessary to focus on one or two structural elements, and the artist should also consider the scale of the project, especially when the project is large. This design can then be mounted to the wall. The installation is then mounted on the walls, and its made to be at perfect equilibrium. This position is achieved by ensuring that it can rotate freely when pushed and easily reaches up to thirty minutes. The design of this installation is all in relation to a specific radius, and the artist tries as much as possible to use the minimum amount of parts in the sculpture to highlight elements like mechanics, simplicity, and visual continuity. For instance, the round ball-bearing actors as their actors, which makes them explain their main role in the installation. It is that simple because its mechanics also act as their guide. The various methods employed help in shaping the pieces and reflecting on the machines. The machines that are represented here are substantive in conveying that life is a coming, going and sometimes not visible. The artwork of the metal mirrors the art of mechanical design since the artwork itself is made from the metal that is formed by heating the metal to a specific temperature, allowing the metal to undergo immense changes due to the thermal expansion and the contraction. The installation is well detailed in that it is hand-formed, and it begins with raw stainless and aluminum.
 
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